RSS
 

Archive for the ‘theatre’ Category

peeking out for just a bit…

08 Aug

… just to post the latest video I shot and edited.

Now back to the hermitage… maybe not for too long.

 
2 Comments

Posted in theatre, video

 

gearing up for a write… or five

08 Jun


Yeah, you read that right. It’s time to dive into the ocean of words and hopefully emerge with something worthy for the stage. But not just one… at least 5 are sitting in wait for me to tackle them and pin them to the page.

So what is this “gearing up” thing you speak of, Lecram?

Well, it’s been a while since I’ve been in the “zone” to do so. Plus, as I’ve mentioned before there are at least 5. I’ve had to do a little mental juggling to decide which will go first. Since my last one was of the “fuck you” ilk… I figure the next 2 will be too. Besides, 3 constitutes a phase.

Yeah, writers do go through phases. The “family” phase… the “fantasy” phase… yada, yada. I’m probably not the first but I think every writer goes through the “fuck you” phase. Though I would like to think that I’m one of the few who will admit to it while it is happening… and not in retrospect.

The first one will fit this current phase quite nicely, thank you. As per my modus operandai I am exploring yet another genre… Grand Guignol. So, yeah… I think it fits.

The premise? Well, you will just have to buy your tickets for the show in October. Yeah, the theater is already booked. O.K…. so, I’m pulling an Alan Ayckbourne by booking the space then writing the show. No pressure, right? LOL!

Cheers!

 

how “Pay What You Want” works…

27 Apr

… at least for our Thursday shows of “Pho For The Soul”.

OK… let us get to the brass tacks of how it works right off the bat.

  1. Turn Up Early at the Broken Leg Stage. The doors open at 7: 15 PM.
  2. You will get an envelop… that is your “ticket” to the show
  3. Sit down and enjoy the show.
  4. Once the show is done, slip money into the envelop and drop it off at the box on your way out. As the banner says” like what you saw? show your love…”, and let me add… in a real way.

It is important to note that “Pay What You Want” does NOT mean it is a free show. Neither is it a “tip”.


A SHORT VIEW ON WHY WE ARE TRYING THIS OUT

The movement has been around for quite a while with music, restaurants and even theatre. Fringe houses in bigger cities use a version of this system with something called a “sliding scale”.

I have seen the phrase “support the arts” bandied about for a long time. This will test it out. From the standpoint of both the audience and (in this case) the performer, “Pay What You Want” may be one of the most honest measures of accessing it’s value.

To the audience it dares to ask “What is the value of the Arts in your everyday community?” To the performer it forces a certain quality control in the final product. I could write an entire post on this topic… but I’ll save it for another time.

So, yes… this is an experiment. Turn up, participate… and show us in a real way what you think and feel about the Arts in your community with this show. Oh yeah… and spread the word about the show too!

Cheers!

For details on “Pho For The Soul” check out THIS POST.
Check out the promo video HERE.

 

jumping in head first… once more

01 Apr

So, yeah… this is the show I will be doing in May. I’m reworking the show I did for the 2006 Rogue, Lies My Father Told Me (links to the review) with a live musician (my old college room-mate, Johnnie) “soundtracking” and sound effects on the guitar. What I’m really excited about is KP’s new show, “Tales of Laos”. Anyway, details to follow.

 

it’s the first sip out of the cup…

21 Dec

divingemptypool… (OK, mug… as in beer mug… a big honking Carlsberg mug at that) of coffee I’ve had in over a week. The taste of roasted beans just attacked my taste buds with a sublime intensity. Sometimes self imposed abstinence reawakens the pleasure of the experience. Almost, (but not quite) to the point of  experiencing it for the first time.

Remember the turn you made from virgin to experienced? Not necessarily exclusively in the sexual realm… though that (of course) counts as well. But any new experience that infused you with a surge of delight which turned out to be quite unexpected is what I’m driving at here. Remember the mixture of anticipation, fear and excitement moments before it happened? The project that I have embarked on (it’s titled “ZEROS” BTW)  feels a bit like that. OK… it feels a lot like that, dammit!

(Second sip… mmm… roasty toasty.) It’s a video project. (Lecram, you’ve done videos before!) One that requires pre-production. (OK… THAT you haven’t done before.) Sure, over the last couple of years I have dabbled in video but most of those were larks in an effort to acclimatize myself to the medium. Also, along that path the equipment I have had to acquire to facilitate this experiment has paid for itself. Yes, over the years I have learned to make even my whims pay for themselves. (Yes… if you must know… there is a paying client involved in this one.)

Even though this will be a brand new undertaking I am not going into it completely blind. There are some skills and techniques (especially organizationally) I will be pulling in from my years in theatre to help me realize this project. But this is still going to be a whole new barrel of monkeys… which both excites and scares the crap out of me. Though that is a good thing – it will keep me honest and working hard to strive for excellence despite my relative (nubile) inexperience in this particular medium.

(Third slurp… hmm… I need a warmer.) This is one of the reasons I have put aside theatre for a while. The excitement and enthusiasm was starting to wane in that particular arena. So in order to preserve my love for it I felt it was necessary and essential to set it aside… at least for a while. Though to be honest, I am not entirely sure if I will return to it (theatre, that is). I will never say “never” but I do not see it happening on the horizon at the moment.

For a while after I set it aside I also couldn’t help but wonder if titling my last play “Tale End” was a little prophetic… an inner conscious effort to separate and start anew. Yet the “counter-romantic self serving bullshit” gene present in my every fiber kicks in and screams out “BALDERDASH” to the that notion. So, now that becomes moot for the the present… but I thought I’d share it anyway. The road ahead is where my sights are trained on and that is the only thing valid at the moment.

(Ahh… half a mug… the warmer poured.) To that end I have employed some known talents to help me traverse any obstacles ahead. Even though this will also be a brand new adventure to many of them they are all coming in with a spirit of adventure. So, I start off with half the battle won. As a collective united in a common goal I am confident that we will all aspire and work toward excellence with the final product. For my part I will also strive to create a path that will be both a rewarding and fun experience… perhaps even creating a unique process and method as we forge ahead.

(Final slurp of the warmer… in one fell gulp.)
So, I’m emerging from  my relative hibernation (at least creatively) and diving into the deep end of a brand new pool. (Yo, where’s the water?)  I think I can at least float and I know there will also be new challenges to negotiate. Whatever the case, there is no denying this will be nothing less than a grand adventure.

 

Picture Daze #10 – Frogway

17 Jul

(be prepared for several video views.)

Googling “Frogway the Musical” and here are a few things I came across. This picture (to the right) is the cast of the upcoming production for one. A fine looking bunch don’t you think? The director is also an actor of renown. There is also a Malaysian Idol finalist and another emerging Pop Star as well as a former Miss Malaysia/Universe in the present cast. (Here are some other cast photos.) The power creative team includes the likes of a Musical Director who composed this and of course my always amazing collaborator Mike (seen here playing with… believe it or not… my cousin, Jeremy at a recent concert). Even a couple of the Malaysian tourism sites have it listed as an event. Dang… it’s quite a change from 27 years ago.

If you have followed this blog you’ve been privy to how this project came up again… to part of this latest rewrite process and working again with Mike here & here. So, how did this all begin?

On… meeting Mike
Mike and I met through a mutual friend (David Lim aka Kien) who was playing in a couple of bands together – Windjammer & Vintage. (There may have been another club band but the name escapes me at the moment.) Being a student at the time (HSC) I was somewhat of a “hanger-on” for the most part. I think it was during one of the Jazz Festivals/Concerts that Mike used to organize, that he may have first really noticed me. On the day of the concert they were short a group to perform… so they cobbled something together with musicians from several of the existing groups and called themselves “Lost Hopes”. I was called in at the last minute to narrate a story of sorts backed by the band… their cue to break off into an extended jazz jam was me finally ending the story with the words “lost hopes”.

Mind you, the concert had already begun when I got a call at home that this was happening. I jumped into a taxi… got to the venue with 5 minutes to spare before having to be on stage… all the while Mike and David were talking me through the idea. Got on stage… music backing started, I did my thing and I think this Zappaesque experiment was pulled off. It was after this over roti chanai that Mike asked me if I was interested in putting words to a tune he was writing. Shortly after that I brought the idea of Frogway to him.


On… our original working methods
We would usually work at Mike’s place of business. He was giving organ lessons and we would steal into one of the practice rooms to hash out the songs. Sometimes he had the tunes that I would lyric to and at other times it worked the other way around. I recall one afternoon within a 2 hour period we managed to crank out 3 complete songs. We went to a local coffeeshop right after to celebrate buzzing with excitement over what had just occurred. I remember Mike exclaiming “Sometimes I wish I had 3 or 4 hands so I can play all the musical parts!” To which I replied, “I’d just settle for the other one I have to be functional.” Back then… and again recently our collaboration always involved a healthy dose of good natured jibing of each other and laughter.


On… the original production in Malaysia
Mike was leaving to attend the prestigious Berklee School Of Music in Boston. I was left back in Malaysia to attempt putting a production of the show together. The plan was when he came back for Summer holidays we would mount the show. In March of 1980 I received news that I was accepted to college in California. This ramped up my own efforts to get the play produced before the end of August.

There was a certain naive “let’s put on a show” Andy Hardy quality to the beginnings of all of this. I recruited potential cast & crew members from college mates, boy scout friends and friends of friends. My cousin Anna Kronenberg had her own dance studio. She kindly allowed us the use of it for rehearsals – rent free… all we had to pay was the utility bills… and also agreed to choreograph the show.

Then things got a little complicated. We needed an already established organization to produce the show because of all the red-tape, permits, etc that was going to be involved. (I remember having to send the script to 7 government departments for approval.) This proved to be a challenge as none of the established local theatre folk were really willing to go in with a bunch of upstarts. We finally approached NAMEO who agreed to umbrella us… Mike and I borrowed money from our parents and we began nailing the production together.


Well, things were moving along pretty well… then 2 weeks before opening I was in a car crash and split my nose open. One of the lead dancers and promotions manager was also in the car. It could have been a set back but the show went on to open with the 3 of us injured jumping back onto the stage. Mike and Anna kept things going in rehearsals and probably fixed some of the more glaring major mistakes I had made as a first time director.

The show opened at the University Kebangsaan Auditorium, July 30, 1980 (I think). It played for 5 performances to a total audience of about 1500. (I think again) For the most part everyone had a good time and we fulfilled at least the requirement of entertaining them. The entire cast and crew was made up mostly of unknowns and first timers… all of whom put effort, energy and joy on that stage… and it showed. The reviews in the press were mixed to say the least. Each of the 3 newspapers had reviews that ranged from excellent… to fair… to scathing. After recovering production costs the profits were donated to a couple of charities.

On… the production in America
In Fall 1980 both Mike and I were studying on different coasts in America. In 1981, I had switched majors from journalism to theatre at which time I had shown the script to one of my Professors. A staged reading of that under the Playwrights Theatre program was mounted. After that, my professor, Edward EmanuEl mentored me on the rewrites. Structurally the script became a lot more sound and 4 more songs were added. Mike and I wrote those over the phone and used the US Postal Service quite a bit back then. The current revision was conducted via Skype.


The play was picked up for production by the University’s Experimental Theatre Company in the Spring of 1983. It was directed by french student Eric Duret with musical direction by Robert Paul and choreography by Chris Mathias. The show played to 4 sold out performances in the Arena Theater California State University, Fresno.

Impressions of the show
Both the original in Malaysia and American productions had several common characteristics.

  • An infectious enthusiasm and charm.
  • A raging “can-do” attitude.
  • A good natured horny cast. LOL!

Both productions had their unique challenges. Though I can’t help but feel that there is a certain vibe with this show that ultimately inspires those involved to go above and beyond. I don’t think anyone has walked away from the show not being pleasantly surprised at how far their capability reached.

It’s not Shakespeare… at best it is a bauble… but one with an infectious heart and soul that winks and dares the different… and the brilliant music sings that. I did however rediscover during the latest retooling, that the show does indeed have a special hard to be explained magic about it. I think both Mike and I have been happy to come across that on our paths again after 27 years.


To the cast and the crew of this upcoming “re-premier”… my sincere hope is that you too will find that magic… and hold on to it. It is that which all these years I have held on to in all the creative projects I have undertaken to date… and it continues to serve me well. In essence, Frogway 2007 really is a brand new show… but Mike and I took special care to preserve the original magic and charm in it.

CLICK HERE FOR THE OFFICIAL WEBSITE… AND GO SEE THE SHOW!

To everyone who has been involved in this hopping joyous insanity over the years… a big THANK YOU. And Mike… once again thank you for throwing your trust to this quirky serani hanger-on so many years ago.

EDIT: August 6
I have created a FROG BLOG HERE! (Forgive me Lord for the bad rhyming couplet puns.)

EDIT: For other Picture Daze posts form my old blog CLICK HERE!

 

still stalling for time…

16 Jul

… cuz the scanner is fritzy. While you wait (as if) here are a couple of public service announcements.

First off… if you happen to be in the Des Moines area… the Fringe Festival is coming up this week. Go see Mia and Starr in their shows… they are totally FAB! (Click their names for their MySpace pages.)
miastarr
And if that wasn’t already enough… mark your calendars for the next Rogue Year Round! Click the poster for readable info!

And if you haven’t seen the video below yet… go ahead click it.

 
 

the gig last night…

02 Jul

… was really good. Those who turned up to experience it had a good time. Those who didn’t… too bad, they missed a good show. This one meant a lot to me on many fronts. It was my last performance with Suicide Lounge… for a while at least. For Tale End… well, to make a long story short… I have sold exclusive rights to the show to a more than worthy company. So, both are going on to bigger, brighter and better things.

It was fun nevertheless… here are some pics. None of tale end as photogman was too sucked into the whole deal.




EDIT: More pics




A big Thank You to everyone who made it possible.

 
 

sour green mango

20 Jun

I just devoured one dipped in a little salt. Bought at a local Asian market a couple of days ago. Best eaten when it hasn’t ripened yet. I’m still floating in the afterglow of that tart euphoria. One of my uncles had a huge tree of that particular variety growing in front of his house. I remember picking them off the low branches as a boy. This same uncle had a cockatoo who was quite the diva. He would sing two lines of O Sole Mio and actually take a bow right after by tucking his head under his right wing. Taste does indeed trigger memory recall. Sure, you can find them (green mangos…not cockatoos) pickled in brine or a chutney… but nothing beats fresh.

So, of late references to food have been bombarding my psyche. Recently I quoted something I heard my father saying a long time ago. “Love truly begins after the flash of passion has boiled down to a simmer.” That’s cookin, baby. Where’s Hank Williams when you need him? I’ve even been dreaming about nosh. OK, admittedly a fair amount of these dreams also involved sex… but food was prominently featured.

I can only surmise that this convergence of the culinary in my life at the moment is directly related to the current play I’m developing. Yeah, it’s about a terrorist chef. The pace of development is actually occurring pretty fast. This one is coming quite easily. No, I haven’t written a lick yet. Waiting for an opportune moment when I feel that it’s fully cooked enough before I will allow myself to be lost in my bliss.

What surprises me is that it took me this long to actually attempt writing a food related play. I originally come from a culture that is practically obsessed about food. It’s not unusual for people over there to drive for miles in the quest for a certain dish that is served in some shanty hole in the wall. Really, Malaysians make no bones about the fact that we live to eat. BTW… HERE is a really good Malaysian food blog if you’re so inclined.

I cook. I have even “trained” most of my friends here to the point that if I do serve a “full tilt” curry that they will gobble it up while sweating and tearing profusely without moaning about the hellish heat index. I’ve run a food business… and may again soon. Some of my favorite movies are food related… Tampopo, Like Water For Chocolate, Big Night… just to name a few.

So, yeah… I think it’s about time, don’t you?

 
No Comments

Posted in food, theatre

 

Couldn’t be more official than this!

15 Jun

BTW… today’s Da Count is below this post. So, click the image for a bigger version.

ryr071